Last night, we (re)watched the Governator flick, "The 6th Day," which is set in the near future where a corporation has not only developed the ability to clone people, but can make a "syn-cord" (i.e., a synchronized recording) of your memories and upload them into the clone. In other words, if you die, you can be "restored" to the point of your most recent syn-cord into a new cloned body. This makes for some fun mayhem, as Arnold goes around killing the bad guys, only to confront them again.
This follows my recent reading of Richard K. Morgan's Altered Carbon, set about 500 years in a future where human consciousness can be digitized and store in a "cortical stack" that's implanted at the base of your brain. If your body is killed, as long as the stack is intact, you can be put into another body (which they call "sleeves"). The really rich can afford "remote storage," whereby their digitized consciousness is uploaded once a day to a secure location. This too results in mayhem and violence. . . . (In fact, if Altered Carbon were a movie, I think it would be rated NC-17 for extremely graphic violence and graphic sex.)
The idea of digitizing your consciousness and thereby achieving immortality isn't as simple as it seems, however, and both "The 6th Day" and Altered Carbon do manage to confront some of the difficulties. [SPOILERS AHEAD] In "The 6th Day," the evil CEO Drucker gets mortally wounded by one of his inept henchmen, so he makes a syn-cord and brings a clone online. Due to Arnold's mayhem, the cloning process is only 84 percent complete when interrupted, so the resulting clone looks kind of yucky, but in fact is Drucker. But the mortally wounded Drucker isn't dead yet, even as the new clone demands his clothing. "You mean, you aren't going to wait until . . . ." sputters the old clone.
To the external world, "Drucker" is still alive (or would have been, if Arnold hadn't taken care of the new clone Drucker). But the old Drucker clone must certainly feel as if he is dying. . . .
In Altered Carbon, things get even weirder. The narrator and hero Takeshi Kovacs has been resleeved in the body of a corrupt police detective; the body's owner is cooling his heels in stasis for about 200 years, the result of judicial punishment. At some point, however, Kovacs illegally duplicates his digitized consciousness into a synthetic sleeve so as to be able to trick the bad guys. He then ends up having a conversation with himself, of a sort, and since the novel is narrated from his point of view, we have the odd situation of having -- at that point -- the synthetic sleeved Kovacs picking up the story and describing the conversation with the corrupt cop sleeved Kovacs, even though the latter was the narrator up to that point in the novel!
Philosopher Richard Hanley addressed similar issues in his book, Is Data Human? (aka The Metaphysics of Star Trek). Hanley points out that the bodies that we inhabit today are not the same as the ones we inhabited 10 years ago, if you look at a cellular level. Old cells died and were replaced by new ones, not all at once, of course, but by now, your body has replaced itself. . . . Are you still you?
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